Currently viewing the tag: "gregory"
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Opening Reception August 12 : Decadent Revelry with Nicholas Shick and Tyler Vipond, Flip by Sheila Gregory

On August 14, 2010

Thursday, August 12 was the opening night for Decadent Revelry with Nicholas Shick and Tyler Vipond in the main gallery and Flip by Sheila Gregory in the upper gallery. It was a great event and we look forward to the rest of the exhibitions. Open until September 26, 2010, these exhibitions will be on display [...]

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Sheila Gregory

On November 9, 2006

November 9 – 30, 2006
Opening Reception: Thursday november 16, 5-7pm

Take a ride with Sugar Bee, a new series of black and white paintings by Sheila Gregory. Capturing memories of ramblin’ deep south road trips beyond the city limits. Sugar Bee is a bit bluesy, a bit smoky, with a touch of rhinestone [...]

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Beauty in Black and White

On October 16, 2004

By Michael Dault, The Globe and Mail

Sheila Gregory’s new exhibition of nine black and white paintings, now at Toronto’s Lonsdale Gallery, is called Landscape Burlesque, probably because of the joyous fervour with which the Toronto-based painter wielded her brush to make these big convulsive pictures. If there are landscape references here, you could argue [...]

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Sheila Gregory: Landscape Burlesque

On October 9, 2004

OCTOBER 9-31, 2004

Landscape Burlesque is a series of new black and white paintings, which both tangle and playfully peel away an organic universe. The tethering of forms with spindly vines and plump exploding pods, push, pull and vamp with a raucous energy. These works take their cue from a natural world that is composing [...]

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Sheila Gregory, Sasha Rogers, Pedie Wolfond: BIG

On April 5, 2003

APRIL 5-27, 2003

-In the Project Room-

Strong women expressing their artistic vision on large canvases, inspiring viewers through colour, image, and intuitive feel. Sheila Gregory’s bold and colourful abstracts, Sasha Roger’s subdued and thought provoking horizons and Pedie Wolfond’s radiantly saturated canvases of layered paint are on exhibition now.

Gregory’s imagery is drawn [...]

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